Stanley Warren, guest choral director
Stephen Redfield, guest director and violin soloist
Allison Edberg Nyquist, guest director and violin soloist
Murray Forbes Sommerville, artistic director emeritus
Stanley Warren, Guest Choral Director
Stanley Warren has frequently been praised for performances of sensitivity, intelligence and grace. After earning a Master’s degree and Performer’s Certificate from the Eastman School of Music as a student of Jan DeGaetani, he studied in England with Sir Peter Pears and received critical praise for his debut performance as Quint in Britten’s The Turn of the Screw at the Aldeburgh Festival. He has since appeared with various music festivals at home and abroad, serving on the voice faculties of the Oklahoma Arts Institute, the Berkshire Choral Institute, the Aspen Music Festival, and the AIMS Festival in Graz, Austria. Mr. Warren’s musicianship extends over a wide array of styles ranging from the Baroque operas of Rameau and Handel to the music of Benjamin Britten and Ned Rorem. He is an accomplished interpreter of the works of Bach, and has sung the Evangelist in England, New York City, Boston, Atlanta, Washington, Ft. Worth, Louisville, Little Rock and Pittsburgh. Mr. Warren sang the title role in Rameau’s opera/ballet Pygmalion with Concert Royal in New York City, and later that season debuted at the Kennedy Center with the Washington Chamber Symphony singing Haydn’s St. Cecilia Mass. Other engagements have included Messiah with the Dallas Bach Choir, the Ft. Worth Symphony, the Memphis Symphony and the Nashville Symphony, Berlioz’ Lelio with the Louisville Orchestra, Bach’s St. John Passion with Conspirare in Austin and Music City Baroque in Nashville, and several appearances with the Louisville Bach Society, the Masterworks Chorale of Boston, the Jackson Symphony Orchestra, the Canterbury Choral Society and the Rochester Bach Festival. Dr. Warren is Professor of Voice and Coordinator of Vocal Studies at Union University in Tennessee.
Stephen Redfield, Guest Director and Concertmaster
Violinist Stephen Redfield has been a faculty member at the University of Southern Mississippi School of Music since 1996. Stephen performs regularly as a Baroque violinist with the Albuquerque Baroque Players and with the Atlanta Baroque Orchestra. He has been featured as a leader and in chamber music with Music City Baroque. Stephen's other Baroque credits include concerts with the Smithsonian Chamber Players and the Newberry Consort, and collaborations with such artists as with Marion Verbruggen, Mary Springfels, Elizabeth Blumenstock and Kenneth Slowik. As a member of the Sebastian Ensemble with harpsichordist Kathleen McIntosh, he has performed throughout the US, and in Spain, Cuba and Peru.
On modern violin, Stephen has performed as a chamber musician and a soloist throughout the United States and internationally. He currently plays with his faculty colleagues in the Impromptu Piano Quartet, and is the concertmaster of the Santa Fe Pro Musica. Each summer since 1992, Stephen has joined the Victoria Bach Festival, where his performances as concertmaster and soloist have been produced on discs and broadcast nationally. He is also a long-standing participant in the Oregon Bach Festival, often featured as concertmaster and in chamber music, and where he has participated in numerous recordings, including the Grammy Award-winning disc "Credo."
Allison Edberg Nyquist, Guest Director
Noted for the beauty of her playing as well as for her versatility, violinist Allison Edberg Nyquist is one of the preeminent performers of baroque and modern violin. She has been praised by The Chicago Sun Times as "impeccable, with unerring intonation and an au1tere beauty". Equally at home as an orchestral and chamber musician, she also performs regularly as a violist and in recent years has added the viola d'amore to her list of favorite instruments.
Ms. Nyquist has performed throughout North America, collaborating with many of the top baroque ensembles, including Chatham Baroque, Ensemble Galilei, Apollo's Fire, the Foundling Baroque Orchestra, the Washington Bach Consort, La Monica, and The Vivaldi Project. She is frequently featured at the Bloomington Early Music Festival and the Indianapolis Early Music Festival. Her discography includes recordings for the Eclectra, Delos, and Centaur CD labels.
Highly regarded as a teacher, Ms. Nyquist has served on the faculties of Indiana State University, DePauw University, Ohio State, the Interlochen Arts Camp and Lawrence University. She is currently the concertmaster of the Indianapolis Baroque Orchestra, a member of Ensemble Voltaire, and a new resident of the Chicago area.
Ms. Nyquist studied with Stanley Ritchie at the Indiana University Early Music Institute where she was the recipient of the Willi Apel Scholarship in baroque violin. She received a Master of Music degree from the University of Michigan where she studied with Camilla Wicks. Her Bachelor’s degree is from the Peabody Institute with Daniel Heifetz.
Murray Somerville, Artistic Director Emeritus
Harpsichordist, organist, and conductor, Dr. Somerville was born in London and grew up in Rhodesia. He was a student of Bach conductor Karl Richter, studied at Oxford (Organ Scholar of New College under Sir David Lumsden), and holds a doctorate from New England Conservatory in Boston. Dr. Somerville was the founding conductor of the Harvard Baroque Chamber Orchestra, and was Music Director of the Winter Park Bach Festival in Florida. During his tenure as founding Artistic Director for Music City Baroque, the ensemble was three times named "Best of Nashville" by the Nashville Scene. Since his retirement, he and his wife Hazel reside in York and Charleston, South Carolina.
Violinist Karen Clarke is a founding member of Music City Baroque, previously having served as concertmaster and acting artistic director for the ensemble. Faculty of the Blair School of Music at Vanderbilt, having been previously Professor of Violin at Florida State University School of Music; she serves also as concertmaster of the Atlanta Baroque Orchestra. She has performed and recorded with the Smithsonian Chamber Orchestra, the Apollo Ensemble and the Boston Early Music Festival Orchestra; her students have been finalists in solo and chamber competitions.
Dr. Jessica Dunnavant is an instructor for both Belmont Academy, where she teaches flute and provides piano accompaniment for flute students, and Middle Tennessee State University, where she teaches Introduction to Music, flute and other courses as needed. She performs with Music City Baroque on Baroque flute and recorder, and she serves on their Musicians Council. Dr. Dunnavant also plays with saxophonist Paula Van Goes as the Greenbrook Ensemble. She is a blogger for The Music Collective and she is the Vice President/President-Elect of the Mid-South Flute Society. She maintains a large private flute studio in Middle Tennessee. Previous Visiting Assistant Professor appointments include the University of Wisconsin-Stevens Point, where Dr. Dunnavant taught flute and Music Theory; Florida State University, where she taught flute, Baroque flute and recorder; and Texas A&M University-Kingsville, where she taught flute, Early Music Ensemble, Music Appreciation, and Aural Skills. Dr. Dunnavant holds degrees from the University of Maryland (DMA), Florida State University (MM) and Middle Tennessee State University (BM).
Keith Nicholas holds a Bachelor of Arts degree from the University of North Carolina, Chapel Hill, and a Master of Music degree from Florida State University. He joined the Nashville Symphony in 1999 and currently teaches cello as adjunct faculty member at Austin Peay State University and Belmont University.
Francis Perry has appeared with Belle Meade Baroque since 2006, shortly after he moved to Nashville from the New York metropolitan area. He has performed on both lute and guitar at The Boston Early Music Festival. His article "A Recipe For Learning A New Piece of Music" was published in a recent issue of SOUNDBOARD magazine.
George Riordan, oboist, a founding member of Belle Meade Baroque, is Director of the School of Music at Middle Tennessee State University, a post he has held since August 2003. In addition to serving as a founding member of Belle Meade Baroque, Dr. Riordan regularly appears as principal oboist with the Atlanta Baroque Orchestra.
Laura Ross has been a member of the Nashville Symphony since 1984 and was previously a member of the Toledo Symphony. Laura is the Nashville Symphony union steward, serves on the executive board of Local 257 and is secretary of the International Conference of Symphony and Opera Musicians (ICSOM).
Passionate about music of all time periods, cellist Christopher Stenstrom is equally at home whether performing contemporary solo cello works, chamber music masterpieces, or Baroque and Classical music on period instruments. A member of the Nashville Symphony since 1999, he is a founding member of the Grammy-nominated Alias Chamber Ensemble, and can be heard regularly as a chamber musician.
He is increasingly in demand as an early music specialist, performing as a solo and continuo cellist with Music City Baroque, and with the Atlanta Baroque Orchestra and Bourbon Baroque. Christopher studied with the late Andor Toth, Jr. at the Oberlin Conservatory of Music, where he also studied viola da gamba and baroque cello with Catharina Meints. He received a Master's degree from Bowling Green State University, where he had an assistantship as a member of the graduate string quartet and studied with Dr. Alan Smith.
He is an active volunteer in the nonprofit arts community, serving on the boards of Music City Baroque and the Nashville Philharmonic Orchestra.
The Music City Baroque Chamber Chorus made its debut singing Bach's Motet No. 3, "Jesu, meine Freude" in the March 2009 concert at the Blair School of Music. It comprises a group of stylistically aware choral musicians from the Nashville area, including members of St. George's Choir and the Nashville Symphony Chorus.